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CHAPTER X · Marot and Beza's Psalms.

Next to the Bible, translated originally by Olivetanus, and in its successive editions rendered more conformable to the Hebrew and Greek texts, the "Christian Institutes" exerted the most powerful influence. The close logic of Calvin's treatises, speaking in a style clear, concise and nervous, and touching a chord of sympathy in each French reader, made its deep impress upon the intellect and heart, while captivating the ear. Calvin's commentaries on the sacred volume rendered its pages luminous and familiar. Other works exerted an influence scarcely inferior. The "Actions and Monuments" of the martyrs, by Jean Crespin, printer and scholar, not only perpetuated the memory of the witnesses for the truth, but stimulated others to copy their fidelity. Marot and Beza's metrical versions of the Psalms, wafted into popularity, even among those who at first little sympathized with the piety of the words, by the novelty and beauty of the music to which they were sung, were powerful auxiliaries to the arguments of the theologian. They entered the house of the peasant and invested its homely scenes with a calm derived from the contemplation of the bliss of a heaven where the fleeting distinctions of the present shall melt away. They nerved the humble artisan to patience and to the cheerful endurance of obloquy and reproach. They attracted to the gathering of persecuted reformers in the by-street, in the retired barn, or on the open heath or mountain side, the youth who preferred their melody and intelligible words to the jargon of a service conducted in a tongue understood only by the learned. In the royal court, or rising in loud chorus from a thousand voices on the crowded Pré-aux-Clercs, they were winged messengers of the truth, where no other messengers could have found utterance with impunity.